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Barber, Concerto Op. 14 for Violin and Piano (Schirmer)
Barber, Concerto Op. 14 for Violin and Piano (Schirmer)
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Corrected, revised edition, incorporating newly discovered details from Barber's personal conducting copy. Includes extensive historical preface.

Samuel Osmond Barber II was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century; music critic Donal Henahan stated, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim."

  1. Allegro
  2. Andante
  3. Presto in moto perpetuo

Barber provided these program notes for the premiere performance:

"The first movement—allegro molto moderato—begins with a lyrical first subject announced at once by the solo violin, without any orchestral introduction. This movement as a whole has perhaps more the character of a sonata than concerto form. The second movement—andante sostenuto—is introduced by an extended oboe solo. The violin enters with a contrasting and rhapsodic theme, after which it repeats the oboe melody of the beginning. The last movement, a perpetuum mobile, exploits the more brilliant and virtuosic character of the violin."

The concerto is scored for two each of flutes, oboes, clarinets, bassoons, horns, and trumpets; timpani, snare drum, piano, and strings.

Syllabus Information:

  • AMEB Violin Licentiate List C
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